Biography
Kerry Louise
The career of Kerry Louise: five years of glamour modelling, a 2009 hardcore debut at 25, two AVN nominations, a 2011 pause and a 2014 comeback.
Kerry Louise was born on 26 April 1983 in Lincolnshire, England, into a family of German descent. She has described ordinary jobs before the industry, including a spell as a customer advisor at a bank.
Glamour modelling began in 2004. She shot for Loaded, the Daily Sport, Cosmo, Fastbikes and Maxpower, picked up centerfolds and covers, and did promotional work that had nothing to do with adult film. By the end of that run she was also stripping, which is how most British performers of her generation reached the hardcore side.
Her first explicit scene was shot for the UK site Killergram in February 2009, when she was twenty-five. Brazzers brought her to Los Angeles and Las Vegas soon after, and for the next two years she worked alternate months in the US and the UK, with stops in Miami and Budapest.
The credits fill up quickly after that: Brazzers, Digital Playground, Naughty America, Evil Angel, Bang Bros, Reality Kings, Bluebird Films, 21Sextury, Pure Play Media, New Sensations. She was nominated twice at the 2011 AVN Awards, for Foreign Female Performer of the Year and for the group scene in Bonny & Clide.
In July 2011 she stopped, and worked as a fitness instructor. The return came in January 2014, and the scenes continued in both countries for years afterwards. IAFD credits 236 titles, a number that includes the long tail of compilations and web scenes.
The body did most of the talking. A 32FF chest, enlarged to 34J in November 2009, made her a natural booking for big-tit series, and she shot the scenes those titles promised: titfuck, cleavage-heavy setups, bras that came off in the first two minutes. She was not shy about group work either, which is what Bonny & Clide is, and the girl-girl material runs through her filmography from the Killergram years to the BDSM-leaning scenes she shot later. Boy-girl scenes usually put her on top or on her back with the camera close, and the box copy sold the same three things every time: the chest, the accent, the enthusiasm.